Jerusalem in London: Yotam Ottolenghi and Sami Tamimi’s Diasporic World
DOI:
https://doi.org/10.24847/66i2019.228Keywords:
Cooking, Diaspora, Israel, PalestineAbstract
Prompted by the publishing phenomenon of Yotam Ottolenghi and Sami Tamimi’s Jerusalem cookbook, this paper considers the discourse(s) of place elaborated by an emergent network of Middle Eastern chefs-in-diaspora. Focusing on Ottolenghi and Tamimi’s Jerusalem and Ottolenghi cookbooks, I argue that cookbooks can be productively analyzed as literary objects with an actor-network methodology. The particular story presented by Ottolenghi and Tamimi’s work is one in which distinctions are repeatedly raised and then dismissed in order to find common ground between Israel and Palestine. Ottolenghi may be an Israeli Jew and Tamimi a Palestinian Muslim, but both men are London expatriates and restaurateurs. The literary dimensions of their cookbooks attempt to harmonize personal narratives with the commercial forces at play in cookbook publishing: peace sells better than conflict, and diasporic nostalgia never goes out of style.
Published
Issue
Section
License
Copyright (c) 2019 Harry Kashdan
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, which allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
The content of this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.