New Maghrebi Diasporic Film with an Amazigh Twist: Benamraoui’s Adios Carmen (2013)

Authors

Film, Arab, Migration, Diaspora

Florence Martin, Goucher College

Florence Martin is Dean John Blackford Van Meter Professor of Francophone studies at Goucher College. She has published articles and book chapters internationally on French and francophone cinema. Her authored books include Screens and Veils: Maghrebi Women’s Cinema (Indiana University Press, 2011). She coedited two special issues of Studies in French Cinema (UK), including: Transnational Crossings: Terrorism on Francophone Screens, 19, no. 3 (2019) (co-edited with Maria Flood) and French and Francophone Cinema and Contestation, 13, no. 3 (2013) (co-edited with G. Austin). She also co-edited Les Cinémas du Maghreb with K. Benouanès & P. Caillé (Africultures, 2012). A co-investigator on an AHRC grant (2016–2019, UK), she co-authored Moroccan Transnational Cinema with W. Higbee and J. Bahmad (University of Edinburgh Press, 2020).

2019-02-26 — Updated on 2019-02-26

Articles

Authors who publish with this journal agree to the following terms:

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, which allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).